This week’s collaboration with TOPHOTELDESIGN showcases five elegant hotels which utilise a decoration technique to cleverly trick the eye into seeing raised finishes on flat surfaces.
Grisaille or grisaglia, is a type of monochromatic painting style, originally in grey or neutral tones, that produce the illusion of three-dimensional texture or architectural reliefs. Often it embodies the appearance of ornamental moulding.
Some say that being a skilful painter is the same as being a talented liar; making people see things that aren’t really there. The reason why it looks so realistic is not only the colour but also the understanding of perspective and lighting.
Channelling bygone eras
Its aesthetic is reminiscent of another era, giving guests the experience of entering a modernised version of a classic palazzo. Apart from that, this type of ornamental detail is usually arranged and designed around pre-existing topographies of the architecture itself, leading the visitor’s eyes through every nook and cranny of the building’s peculiarities.
Today we selected five projects that made the best out of these types of ornamental painting and mouldings, creating a balance between old and new.
Click on the images below to explore the projects in TOPHOTELDESIGN.
Como Castello del Nero
Barberino Tavarnelle, Italy
by Pablo Navone
Image by Martin Morell
Radisson Collection Hotel Palazzo Nani
Venice, Italy
by Studio Marco Piva
supplied by Geberit & Hansgrohe
Palazzo Daniele
Gagliano del Capo, Italy
by Palomba Sarafini Associati
The Buxton Crescent Hotel
Derbyshire, United Kingdom
by ctd architects & Archer Humphryes Architects
supplied by Hansgrohe & Kaldewei
Image by John Athimaritis
Belmond Hotel Cipriani
Venezia, Italy
by TANIT
Image by Tyson Sadlo
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